Jason Pallas Teaching Portfolio
Home
About
1. Teaching Philosophy
2. Curriculum Vitae
3. Artist Statement
4. Artwork
5. Committees and Services
Evaluations
1. IDEA/PPAR Evaluations
2. Sample Student Evaluations
3. Letters of Recommendations
Links
Teaching Experience
1. Museum of Contemporary Art
2. Associated Colleges of the Midwest
3. Illinois Institute of Art – Chicago
ART100: Design Fundamentals
i. Book Cover Design
ii. Typography – Poetry In Motion
iii. Typography – Geometric and Organic Structures
iv. Grid – For Value and Composition
v. Grid – For Proportion and Pop Art
vi. Shape and Anomaly for Emphasis
vii. Line Proximity, Weight, and Character
ART102: Observational Drawing
ART110: Color Theory
i. Value Studies in 3 Media and Color Ladder
ii. Monochromatic Warm and Cool with Color Wheel
iii. Analogous and Analogous Complementary
iv. Tetrad, Triad, and Split Complementary
v. Self Portraits Collage
vi. CMYK Human Printer and Over-Printing
vii. Mash-Up Appropriations
viii. Mandalas
Welcome
Welcome to my
teaching portfolio.
Jason giving a welcome address to audience members for the Fall 2011 Chicago Program Arts Festival
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Pages
About
1. Teaching Philosophy
2. Curriculum Vitae
3. Artist Statement
4. Artwork
5. Committees and Services
Evaluations
1. IDEA/PPAR Evaluations
2. Sample Student Evaluations
3. Letters of Recommendations
Links
Teaching Experience
1. Museum of Contemporary Art
2. Associated Colleges of the Midwest
3. Illinois Institute of Art – Chicago
ART100: Design Fundamentals
i. Book Cover Design
ii. Typography – Poetry In Motion
iii. Typography – Geometric and Organic Structures
iv. Grid – For Value and Composition
v. Grid – For Proportion and Pop Art
vi. Shape and Anomaly for Emphasis
vii. Line Proximity, Weight, and Character
ART102: Observational Drawing
ART110: Color Theory
i. Value Studies in 3 Media and Color Ladder
ii. Monochromatic Warm and Cool with Color Wheel
iii. Analogous and Analogous Complementary
iv. Tetrad, Triad, and Split Complementary
v. Self Portraits Collage
vi. CMYK Human Printer and Over-Printing
vii. Mash-Up Appropriations
viii. Mandalas
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